{"id":503,"date":"2015-10-13T05:53:45","date_gmt":"2015-10-13T05:53:45","guid":{"rendered":"http:\/\/www.quartzbd.com\/?post_type=product&p=503"},"modified":"2015-10-13T05:53:45","modified_gmt":"2015-10-13T05:53:45","slug":"steinberg-announces-audio-mastering-3dvds","status":"publish","type":"product","link":"https:\/\/www.quartzbd.com\/?product=steinberg-announces-audio-mastering-3dvds","title":{"rendered":"Steinberg Announces Audio Mastering – 3DVDs"},"content":{"rendered":"
\n

Steinberg Announces Audio Mastering DVD-ROM Tutorial Series<\/h1>\n<\/header>\n
\n

\"Steinberg<\/p>\n

Musikmesse<\/a>: Steinberg<\/a> announced a new DVD-ROM tutorial series that offers a complete guide to digital audio mastering. The new three-part series covers almost every aspect of producing a professional master, and provides both digital audio essentials and expert techniques, supported with practical examples throughout. Audio Mastering will be available in Q2 2007.<\/p>\n

\u201cThis series offers one of the most complete step-by-step tutorials on audio mastering in digital environments that are available today,\u201d states Frank Seidel, Steinberg\u2019s Product Manager for Audio Mastering. \u201cThis series opens up areas of mastering and digital audio technology in a very accessible way to anyone who wants to produce their own masters, and offers an immense resource of detailed knowledge for both newcomers and experienced engineers.\u201d<\/span><\/p>\n

Audio Mastering offers a complete, authoritative library of mastering knowledge, all the way from fundamental principles behind digital audio through to highly specialized mastering techniques and strategies. Using Steinberg\u2019s industry- standard WaveLab 6 mastering software as its reference application, Audio Mastering also provides practical examples that make the expert knowledge and techniques contained easily accessible.<\/p>\n

About the author Friedemann Tischmeyer has been working professionally in audio mastering and mixing for more than 15 years. Being an engineer for countless well-known artists and the owner of his own independent mastering facility, Friedemann has also published his two extremely well-received books \u2018Audio Mastering with PC Workstations\u2019 and \u2018Internal Mixing\u2019.<\/p>\n

Content Overview:<\/strong><\/p>\n

Volume I<\/strong>
\n\u201cWhat is mastering\u201d
\nDefining the goals of mastering
\nCD mastering of stereo tracks
\nCD mastering from groups
\nTime management
\nStudio acoustics & room acoustics testing and calibration
\nChoice of speakers & speaker layout
\nEquipment requirement for mastering
\nCabling
\nOperation system settings
\nAudio interfaces
\nFrontend & backend
\nOur sense of hearing
\nThe Fletcher-Munson curve
\nListening strategies
\nEar training
\nFrequency distribution
\nMetering for mastering<\/p>\n

Volume II<\/strong>
\nLoudness and peak levels
\nWhat are interleaved sample-overs?
\nHeadroom for encoding
\nNormalization
\nJudging loudness
\nReference values for loudness
\nPCM \u2013 the principle of digital audio
\nBasics of bit resolution
\nWhat is truncation?
\nSample rate basics
\nSample rate conversion (SRC)
\nAll about dithering
\nWhat is jitter?
\nAES\/EBU & S\/P-DIF
\nWordclock and houseclock
\nWhat is DC offset?
\nISRC \/ EAN
\nRedbook & DAO\/TAO
\nOptimal workflow
\nPhase 1: Preparation
\nBatch processing<\/p>\n

Volume III<\/strong>
\nPhase 2: Creative sound processing
\nOptimizing the best-sounding track
\nUsing the leveler for A\/B comparisons
\nSaving master section settings
\nPQ editing
\nEditing CD text & EAN \/ ISRC
\nFinal master montage
\nPhase 3: Follow up
\nVerification master
\nError elimination
\nChoice of master medium \/ DDP versus CD-R\/CD-ROM
\nAudio CD report
\nCreative Processing: Basic strategies
\nOrder of processing steps
\nWorking with EQs
\nFletcher-Munson curve and EQing
\nImportant filter types
\nCompressors
\nTypical examples and strategies
\nPractical editing examples with master section<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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